By Bill Byrne
Add 3D in your mograph skillset! For the skilled second artist, this lavishly illustrated, four colour ebook offers the necessities to development and compositing 3D components into your second international of movie and broadcast. thoughts and strategies are provided in concise, step by step tutorials, enormous quantities of that are featured all through. Featured functions comprise Photoshop, Illustrator, After results, and Cinema 4D.
Lessons comprise exploring the elevated 3D performance of the Adobe artistic Suite functions (After results, Photoshop, and Illustrator) via a chain of useful tutorials. extra complex classes then stick with, with tutorials and perception supplied in in particular geared classes for 2nd artists operating in Cinema 4D, 3ds Max, and ZBrush.
4-color presentation is extra better by way of a number of sidebars, suggestions, and "gotchas" to monitor for through-out the booklet. The DVD comprises hours of venture documents with that you could paintings alongside the tutorials within the book.
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Additional resources for 3D Motion Graphics for 2D Artists. Conquering the Third Dimension
The Advantage of Illustrator in After Effects The basic advantage of using Adobe Illustrator in After Effects over Photoshop comes down to a couple tools. Illustrator is a vector image editor. Vector images don’t assign pixels to specific locations; rather they save Bezier shape data, so the shapes can be resized without losing image quality. The downside is that vector images can’t create a photographic image (in most cases; some artists use techniques to make Illustrator look nearly photographic but in general this is not what Illustrator does best).
Pick Sphere, and now you have a planet that we can use as part of our space scene. Repeat this a couple times for each planet you need. Space Background This is a quick Photoshop lesson that’s a bit of an aside from 3D techniques, but it’s a handy thing to know and it’s going to be a big part of our space scene. Here’s how you can generate a space background in Photoshop. 1. Make a new Photoshop document. Since this is going to be a background for a 3D scene, use a high resolution. I’ve chosen 150 ppi.
6. Now that we have assigned the materials we have the problem of our button being a long tube shape. In order to bring it back down to its correct size, we’ll use the 3D Scale tool. Go to the top options bar and reduce the scale on the Z axis. Chapter 4 Photoshop 3D 39 40 Chapter 4 Photoshop 3D 7. Now you can switch back to the 3D Rotate Tool to give your new button a quick spin! Animating 3D Objects in Photoshop Though Photoshop’s main purpose for existence is not exactly for animation, the Extended Version of CS5 has a full keyframe animation timeline just like After Effects (with far fewer options).
3D Motion Graphics for 2D Artists. Conquering the Third Dimension by Bill Byrne